Should
we walk to town? It’s started to rain again.
Time
was eating little lines into our faces.
Interislander
ferries carved silver marks, morning
and
afternoon, across the harbor. Two mouths
drawing
near, sliver of breath between.
Lacquered
light on the horizon against iron
blue
edge. We were new to the place.
A
month elapsed, then another, May, June.
Black
fern trees spread out fan-like.
A
small island encircled by skies and grasses
and
waves. We cracked pink eggs into a bowl,
peeled
oranges. One night the northerlies
were
so fierce they blew off the front door.
We
learned the names of extinct birds,
the
clearing of the kahikatea and kauri trees,
milk
farms elbowing in. Wilding pines.
In
morning dark a thousand headlights
scrolled
the shoreline road. Learned one song:
wind
wind wind. Begins in a whisper, gets torn up
from
there. The landlord said, it’s lasted
this
long, rickety cliffside place, though it heaves
in
the gale. Summer buried itself
in
angry fall across the sea, we stopped
hearing
from home.
Slowly,
softer squares of sun appeared,
the
first golden hats of kowhai.
Some
days a skittish feel in the air,
some
days a scissors slash of ice.
The
world was far from anything we knew:
the
earth mother stirring beneath
the
ocean, mountain gods battling for love,
water
spirit stranded by an earthquake.
There
were rowers speeding across
mild
waves. Stars leaking through
thinning
clouds. Tui whirred and crooned
in
the ponga. Read about the braided rivers
of
Canterbury, the county fire back home.
Tried
not to dwell on memory, accident,
those
other continents. Our neighbor
grew
ill and cried out from his bed.
Soon
he was still, and his mother wept
in
the garden. A feeling swelled and ebbed.
To
live is not to belong.
We
listened for what churned
below
the ceaseless wind. Maybe the sea?
Margaret Ronda is the author of two poetry collections, For Hunger (Saturnalia Books, 2018) and Personification (2010), winner of the Saturnalia Books Poetry Prize. Her poetry has appeared in journals such as Los Angeles Review of Books Quarterly Journal, Gulf Coast, Agni, VOLT, West Branch, and Columbia Poetry Journal. She is the author of a critical study, Remainders: American Poetry at Nature’s End (Stanford University Press, Post*45 Series, 2018). She teaches American poetry and environmental literature and theory at the University of California-Davis.
the Tuesday poem is curated by rob mclennan
No comments:
Post a Comment