THE COWBOY’S RIDE
mountains steady
in the distanced blue
desert gold
with loden shrub
and snowdrift
filling out the sage
why is it heart
breaking to know
the places where
few humans go
are those
of little change
little rain
inured from wreck
or residence
by hosting only
what persists
despite everything
to grow, or go,
snowgeese, antelope,
the common vole,
spike pointed wild
chive furrowing
an acidic root
into sandstone
and the hook-
beaked crow,
but not the cow
trucked in from
a pastoral scene
to fatten
in feedlots, no,
not these, who turn
run lowing
from the approaching storm
so the cold stops them dead
in their tracks,
not these animals
whose fear rolls
and pitches so any
human who approaches
sends their heavy bodies
staggering back
not these massive bulls
whose balls
the cowboy ties
together and together
full of fright
and flight
they ride.
THE COWBOY GETS RELIGION
The cowboy wrote me,
The west is vanishing,
and I am, too. He wrote,
the sea was born of earth
from the Great Salt Lake.
He wrote, come and find me
under the sow-soft sky
where the sweet scented corn
ferments in the bellies
of cattle. You see them
plodding after dark,
black cows asleep
on asphalt big enough
to stop a dooly truck.
The cowboy tried sailing.
Tried exploration, war,
tried and tried.
Each one slipped
he said over the edge
of evening and was lost.
Except this doomed existence,
he wrote, filling orders
for American appetites.
Whitened figure
on the sun-warm crust.
The gods and men
would love it here,
the cowboy wrote me.
Men awake
in the midnight squall,
men eating fried lotus
in the clicking heat,
men running headlong
into the funnel’s swirling heart,
he told me, to see the gods
at war. They take their dogs
with them everywhere they go,
so when you see one chained
outside a shop, you know
this, too, is a house of worship.
Mary Austin Speaker is a poet and book designer. She is the author of Ceremony (Slope 2013) and The Bridge (forthcoming from Shearsman in 2016) as well as four chapbooks and a play, I Am You This Morning You Are Me Tonight (Bridge 2012) written with her husband, the poet Chris Martin. She has taught at the Iowa Young Writers program, Indiana University, Kirkwood Community College, and the Jackson Hole Writers Conference. She was recently a Bartos Fellow at the United World College and a writer in residence at the South Minneapolis Society Library. This summer she will be writer in residence at the Floating Library in Minneapolis, where she lives with her husband and son.
the Tuesday poem is curated by rob mclennan
Tuesday, August 04, 2015
Tuesday, July 28, 2015
Tuesday poem #121 : Shannon Maguire : Incorrigible
Night off! borrowed
frock peach berserk smoke thick as vaseline over tux-tails on dance floor.
spontaneous combustion neckings in annex storefronts & roommates walk in
while pinned under at knife point (fully clothed on living room carpet). they
smile and creep up servants’ stairs assuming negotiated, but total surprise,
actually & last of three dates with aspiring romance novelist. Night off! cherry beach blind date.
idea for never-to- be-made-film starts with exterior night butch with pretty
face stripped naked (but not shown in titillating way) and cuffed by group of
cops cut to exterior sunrise she hobbles wearing only a shirt pulled down as
far as it goes about fourteen blocks to brownstone where femme in 60s dress
opens door registers shock ushers inside cut to exterior we’re walking all
night different parts off city, stalling, cut to interior crack of pancakes at
mel’s in annex close as we get. ever. Night
off! cherry bomb at andy pool hall outside in line waiting in rain goosed
by leather dyke, quickie in stall with different butch cabbing home: her dime
my place chocolate martinis eight or nine between us turns into four months,
ends in choking & bruises, so much for that. Night off! coffee with straight femme friend that other friends
ridonculously think is perfect match, admit fear-flight thresholds screaming
but soooo not border patrol! rush off to date four with bi femme met though
dial-in service in free weekly, sex on date three outstanding but spend evening
unintentionally recalling scraps of convo with straight friend and date knows
it, long subway ride to work after part of night spent in 24-hour greasy spoon
with severe case of the broods. Night off!
after-shift close encounter with zombie walk, wanting to join but not quite
dressed for horror success, instead meandering westward everyone away for
not-holiday weekend. Night off!
first day off fifteen day juice cleanse carefully timed to coincide with severe
lack of funds, attend friend’s poetry launch skinny as grade 11, mutually
flirting with scorching but much younger trans guy when combo of gifted
intoxicants pile drives night. Night off!
three months since last kiss & total mess so write “kiss stranger” as
item three on to-do list as prank never guessing that out with friend that
night would meet “The Voice” from cbc and kiss a tall stunning blond, saved
from dying of boredom and loneliness, lake-locked, lost in own coils.
Shannon Maguire's [photo credit: Tanis MacDonald] first collection, fur(l) parachute (BookThug), was shortlisted for the Robert Kroetsch Award for Innovative Poetry, the Golden Crown Award for Lesbian Poetry and the Manitoba Magazine Awards in the category of Best Suite of Poems. She was a finalist for the bpNichol Chapbook Award for her chapbook Fruit Machine (Ferno House) and has a poem in The Best American Experimental Writing of 2014 (OmniDawn). Her second collection, Myrmurs, is forthcoming from BookThug in fall 2015.
the Tuesday poem is curated by rob mclennan
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Tuesday, July 21, 2015
Tuesday poem #120 : Elizabeth Treadwell : 3 from Penny Marvel & the book of the city of selfys
selfy as both anchorite and mermaids
the horizon’s vague, strict in my
masquerade, my shy
passersby— famous anchorites, when we were
the bright imaginaries of the dawn—
awash in this, our softest lexicon—
piercing the lacy portals of an ancient
remnant—
tiny beings as we glisten, curving
selfy as a painful exciting atlas
nurse junctures haven’tsea, hidden
extremely songs:
very old folk motion, the animals, the
plants, and stillness—
fashion geranium play, since jobby, but
again, typical, decent, essay—
given jewellery, obsolete lucky outside
current expansion theory—
what kind, daily, there’sanew
always—
able, library, sorts
selfy as the duchess of normcore
the gnostics give birth to him again and
again,
forever normcore, in the sacred cave of
subjectivity and wifely splendor, whereby
doctrine cauldron
oak damsels magpie entrail—
the nymph echo
as the fish
as the fish
and the rivers
cry
Elizabeth Treadwell's latest book is Posy: a charm almanack & atlas and a career-spanning selection appears in the new anthology Out of Everywhere 2. The poems for today's Dusie are from a new manuscript, other materials toward which reside at pennymarvel.tumblr.com.
the Tuesday poem is curated by rob mclennan
Labels:
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Tuesday, July 14, 2015
Tuesday poem #119 : David James Brock : But What Did their Skin Look Like?
Like fine bones of long dead fish placed
just-so
on dried out cobs of corn, kernels eaten at
an
outdoor dinner on a bygone Earth. I
expected black
organs through a lucent shell, rushing
plasma
revealing similarities between our species.
I remember
a sound on the skin, a wonderful hum that
told me
I was about to be taken. The skin played
music in
notes mostly like the ones we have. I did
not see
bright light. It happened like pond fog. My
thoughts
turned banal: the leftovers in my fridge, I
knew I wasn’t
about to die (is that oddball?). The
abduction was hot—
but you asked about their skin. I was off
to be a
curiosity. (Maybe there’d be pain). They
were limbless.
I could teach them of hands. Maybe they’d
learn
mercy. I promised, I wouldn’t fight back. I
smelled
an ease of relenting: a flower with petals
I can’t
name, having no botany in the brain tank.
Believe me,
I gave up quickly. I thought I’d feel
flight, but I sank
somewhere. Nothing else in my time as
captive remains.
Sorry I can’t tell you more. You ask me
what I do
remember. My first fear was hunger, not
their skin of
dried corn…fish bones. On Earth, we could
eat them
as deterrence. Now, since I everyone I knew
is gone,
please tell me which year I’ve returned to.
David James Brock is a playwright, poet, and librettist whose plays and operas have been performed in cities across Canada and the UK. His first collection of poetry is Everyone is CO2 (Wolsak & Wynn). He is co-creator of Breath Cycle, an opera developed for singers with cystic fibrosis through Scottish Opera, which was recently nominated for a Royal Philharmonic Society Award.
Website: www.davidjamesbrock.com Twitter:@davidjamesbrock.
the Tuesday poem is curated by rob mclennan
Labels:
David James Brock,
rob mclennan,
Tuesday poem
Tuesday, July 07, 2015
Tuesday poem #118 : Sarah Burgoyne : The Somnambulist Parade
Lord, we always knew you’d be famous. Having been spoon-fed spumoni all our lives. No broken bones. Send your new lover back to the farm and let me refuse another way of seeing. I used such hairy hands to leave the bread crumbs for no one but the thieves.I am not so happy. Therefore I will take no more photographs. I will loose my onions to some new green arms. My brother’s father is dying. I wrote shit lines about hearts. Walk ahead of me old flames, and I will stalk you back to the station. No one else and no one else and no one else.Maybe, an old man looks for mercies the way a child looks for winks from a stuffed bear. Some things: mercies, a wind across yucky water, another voice not going. No one will answer the full turn, so I stopped paying tribute. Look, I grow to formidable proportions. A desiccated bicycle on an old post slumps in the wake!Whoever sent that dead rose, listen. Don’t keep me so far and long. Give me what I want (the things) and I promise to never lie down again. Don’t return to the pond without me. Forget your father’s name by the flour mill with your bicycle and jar of sacred almonds. I won’t come around. I’ll sit in the sycamore. And again.
Sarah Burgoyne lives and teaches in Montreal. Her latest chapbook Love the Sacred Raisin Cakes was published in November with Baseline Press.
the Tuesday poem is curated by rob mclennan
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