Like fine bones of long dead fish placed
just-so
on dried out cobs of corn, kernels eaten at
an
outdoor dinner on a bygone Earth. I
expected black
organs through a lucent shell, rushing
plasma
revealing similarities between our species.
I remember
a sound on the skin, a wonderful hum that
told me
I was about to be taken. The skin played
music in
notes mostly like the ones we have. I did
not see
bright light. It happened like pond fog. My
thoughts
turned banal: the leftovers in my fridge, I
knew I wasn’t
about to die (is that oddball?). The
abduction was hot—
but you asked about their skin. I was off
to be a
curiosity. (Maybe there’d be pain). They
were limbless.
I could teach them of hands. Maybe they’d
learn
mercy. I promised, I wouldn’t fight back. I
smelled
an ease of relenting: a flower with petals
I can’t
name, having no botany in the brain tank.
Believe me,
I gave up quickly. I thought I’d feel
flight, but I sank
somewhere. Nothing else in my time as
captive remains.
Sorry I can’t tell you more. You ask me
what I do
remember. My first fear was hunger, not
their skin of
dried corn…fish bones. On Earth, we could
eat them
as deterrence. Now, since I everyone I knew
is gone,
please tell me which year I’ve returned to.
David James Brock is a playwright, poet, and librettist whose plays and operas have been performed in cities across Canada and the UK. His first collection of poetry is Everyone is CO2 (Wolsak & Wynn). He is co-creator of Breath Cycle, an opera developed for singers with cystic fibrosis through Scottish Opera, which was recently nominated for a Royal Philharmonic Society Award.
Website: www.davidjamesbrock.com Twitter:@davidjamesbrock.
the Tuesday poem is curated by rob mclennan
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