A
pattern she slips into each evening
her
mother’s well-greased sewing machine
and
grandmother’s piano, domestic icons
gifted
with assumption of an audience.
Her
apartment remains a bachelor.
Feet
pinning pedal, hands pressing keys,
she
stitches and backstitches a song
of
thick black threads, single lines
marked
for attention on a garment
worn
smooth as bridal satin.
But
there is no dress, no yes, no canon
in
D that matches ivory with ivories,
full
and flowering. Will anybody hear
her
taut melody, traces of desire
folded
into the seams?
A
lingering trill how long how long how long how long how long how long how
long
threatens
to unravel the song, how long
can
a hand sustain the absence of its longing?
Tired, she cuts the strain.
coda
Hands
undress keys, a zipper
slid
down teeth. She slips out
creased
like tissue paper.
Charlene Kwiatkowski is a Canadian writer whose debut poetry chapbook Let Us Go Then was published in 2021 with the Alfred Gustav Press. Her work has appeared in Arc Poetry Magazine, Maisonneuve, PRISM international, and elsewhere. She works at an art gallery and occasionally blogs at textingthecity.wordpress.com. Charlene lives in Coquitlam, BC with her husband, daughter, and twin sons.
the Tuesday poem is curated by rob mclennan
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