In the Azores, on
Flores,
we raced snails and
millipedes on the
heated floor. There
was no escape.
Everything
was damp pages curled,
paper warped, even
young
bodies ached.
Barometric
pressure. The sky was
grey
in Azores, so even the
lush
foliage and mosses
appeared dull, cast in
shadows. The coast
carved out of volcanic
rock. Grey and
black sharp onyx
like knives. Rocks’
edges always wet and
slippery from the
torrential
rains. One day while walking
on the rocks, I slipped
and cut my leg.
I skirted along the
rocks to a
nearby restaurant,
where I drank
white wine and ate
grilled
lulas with fresh lemon.
Telma drove uphill
to show us the moss.
Shoulder high, if you
leaned
on it you could
disappear.
Born and raised in New York City, Amanda Deutch is a poet and social practice artist. She is the author of several poetry chapbooks, most recently Bodega Night Pigeon Riot (above/ground press, 2020) and Surf Avenue and 29th Street Coney Island (Least Weasel, 2018). A new chapbook is forthcoming soon with above/ground. Her poetry has been published in The New York Times, Oversound, The Rumpus, Cimarron Review, Ping Pong and in many other journals and magazines.
the Tuesday poem is curated by rob mclennan
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