In the
least measurable world, mind
squalls
in a shred of swamp, recuses
each
pearled dreg, nips at its own heels –
but
moves, refuses walls, pretends
not to
know nature even as morning shifts
docile
in its stall and huffs
to its
own ends: a crick
in the
aubade, waking up stiff,
tongue
all stuffed into a calligram,
knotted
with sweetness and bile –
it is
thus that the measureless day
imprints
itself, bray
onticology
or hyper-object all you like.
A
wealth of speedbumps on our way
to
mortifying the surface of dazzling change –
pity
the mind, rattling on and on
with a
bog-moon above to fortify
its
dim aegis: we prod it silent
not a
moment too soon.
I am
in the clasp of a different morning,
where
sun begins to seep through every slit
in the
closed door and the houses outside
are
impregnated with flowers –
you
can smell it from the streets and
the
terrace bordering the other room,
where
threadbare towels dry on the line
and
dogs sigh in the dizzying heat.
We do
it like this: we insert the subject
into
an impossible image and watch
it
yearn, watch its ears prick, the faint burns
where
air meets its skin – we tell it
that
it is a mind; we ask it for nothing.
We
wonder what it can see.
Warm
air pierces the curtains, sweetens
my
nostrils with gusts of plant slough
flung
in estuaries against a dam of attention –
I have
already felt the breath burst from
your
nose as you pace the garden
outside
my window.
You hum to yourself.
I can
hear your lashes
like
gummed cicada wings in the waning dark.
Ben Meyerson holds an MFA from the University of Minnesota and an MA in philosophy from the Universidad de Sevilla. He is currently a PhD candidate in comparative literature at the University of Toronto. He is the author of four chapbooks: In a Past Life (The Alfred Gustav Press, 2016), Holcocene (Kelsay Books, 2018), An Ecology of the Void (above/ground press, 2019) and Near Enough (Seven Kitchens Press, forthcoming in 2023). His poems, translations and essays have appeared in several journals, including Interim, PANK, Long Poem Magazine, El Mundo Obrero, Great River Review, The Inflectionist Review, Rust+Moth, and Pidgeonholes. His debut collection, entitled Seguiriyas, is forthcoming from Black Ocean Press in the fall of 2023.
the Tuesday poem is curated by rob mclennan
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