Open day with black lace as
per the morning ritual it seems
second nature that we begin with
shirt over the head
still so much to discard yet
at my barest I believe in
the subliminal why these lines begin
to overlap indistinct bits
and bobs below a stroke
of primary color passing over thin
pastel bleeds of cells wilting rose
per the morning ritual it seems
second nature that we begin with
shirt over the head
still so much to discard yet
at my barest I believe in
the subliminal why these lines begin
to overlap indistinct bits
and bobs below a stroke
of primary color passing over thin
pastel bleeds of cells wilting rose
after leaves and stand in for rose
illustrating holes in our skin
That’s where seduction ripens, bloom
blush and droplet, hard rubber
pistil, watery strings then sophoric dust
A floral rudder turning in the dark
dress fallen in a heap at the doorstep
concession to the pull of
the sun I guess impatient for
delicious shadow and sound
without locatable origin
I was hoping tomorrow would
never come and it didn’t yet
my nails chipped regardless I felt
a plastic blossom somewhat
delicate and mostly unnecessary
earnest wooden boy girl painted
and dragged towards the source
cotton, lipstick, Vaseline
The aesthetics of disappearance
Baby’s face mistaken for tattoo
Now it’s back to work to sleep
in a slip that hosts
this bouquet of silk forgeries
barest feeling where I curve into
illustrating holes in our skin
That’s where seduction ripens, bloom
blush and droplet, hard rubber
pistil, watery strings then sophoric dust
A floral rudder turning in the dark
dress fallen in a heap at the doorstep
concession to the pull of
the sun I guess impatient for
delicious shadow and sound
without locatable origin
I was hoping tomorrow would
never come and it didn’t yet
my nails chipped regardless I felt
a plastic blossom somewhat
delicate and mostly unnecessary
earnest wooden boy girl painted
and dragged towards the source
cotton, lipstick, Vaseline
The aesthetics of disappearance
Baby’s face mistaken for tattoo
Now it’s back to work to sleep
in a slip that hosts
this bouquet of silk forgeries
barest feeling where I curve into
its brace a velvet string
wedged between worlds
Jamie Townsend is
a poet, publisher, and editor living in Oakland, California. They are
half-responsible for Elderly, a
publishing experiment and persistent hub of ebullience and disgust. They are
the author of several chapbooks from Portable Press@YoYo Labs, Little Red
Leaves Textile Editions, and Ixnay Press, among others, as well as a further chapbook forthcoming with above/ground press. Their first the full-length collection, Shade (Elis Press), was released in
2015. An essay on the history of the New Narrative magazine Soup was published in The Bigness of Things: New Narrative and Visual Culture (Wolfman Books, 2017) They are currently editing a
forthcoming volume of Steve Abbott's writings (Nightboat, 2019).
the Tuesday poem is curated by rob mclennan
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