Night in the city
is now owned
by the police
the cover charge
is our obedience
til day breaks &
real estate realism
resumes its crime-
data-mining /
the
risk-assessers
crafting
riot
insurance
policies
hedge
funding
the
counter
revolution
as
the porch pirates
expand the gift
economy at the pot-
latch down at the
sideshow / I watched
the helicopter feed
the Oakland docks
lit and lit up,
surrounded by cops
called in from the
suburbs to kettle
the protest downtown
trick’d out donuts,
burnt trash cans
vs. burnt rubber.
*
Inside
a para-
tactical
multitude
not
all things
aside
one another
touch
— or are
touched,
but perhaps
in
those epic gaps
some
spark alights
forged
in disparate
elements,
newly
charged
by heat
of
purpose and
forward-moving
in
common fre-
quencies
that
resonate
through
glitch-rhythm’d
idioms
across
the
shattered
vocabularies
*
To
under
stand
space
as
a given
fluidity
structured
by
the eye
of
the police
or
landlord
thus
becoming
territory
—
contestable
by
bodies
aligned
in
negation
of
that ideal
they
call civic
harmony
—
instead
a
confluence
of
disharmonic
resonance
/
each
shield
a
mobile
placard
each
placard
a
shield
against
the
hammer-beat
of
batons
each
splinter
a
glitch
in
time’s gap
between
the
clock
and
the count-
er
rhythms
of
revolt. Be
like
water,
the
sigil read,
spray
painted
on
the trash
bin,
a barricade
made
of ballot
boxes
lights it up—
David Buuck lives in Oakland, CA. He is the co-founder and editor of Tripwire, a journal of poetics (tripwirejournal.com), and founder of BARGE, the Bay Area Research Group in Enviro-aesthetics. Recent books include The Riotous Outside (Commune Editions, 2018), Noise in the Face of (Roof Books 2016), SITE CITE CITY (Futurepoem, 2015) and An Army of Lovers, co-written with Juliana Spahr (City Lights, 2013). He teaches at Mills College, where he is the chief steward of the adjunct faculty union, and at San Quentin's Prison University Program.
the Tuesday poem is curated by rob mclennan
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