why
does it surface now in the morning dark of a sodden West Coast street, that
image of sunlight shining off her arm,
her pint-size white cotton singlet, standing in a tin tub set outdoors against
the house, my baby sister holding onto the sides of the tub with an interrogative
tilt to her head, provoked by a laugh? a call?
peering in light and shadow, facing what’s almost remembered, then
turning her backside, busy with lifting something luminous, its pour --
two
fading snaps from a backyard I couldn’t remember when I went back to search
that Melbourne street. who was holding the camera? my mother, pregnant again, my father returned
to the chaos of post-occupied Penang, his absence eclipsed in that moment of
light, tiaras of drops, their drench, splash-- Stop it! now!-- cascades
we understood, extreme in the moment.
Born in Australia, Vancouver poet Daphne Marlatt immigrated to Canada from Penang, Malaysia as a child in 1951. A critically acclaimed poet (Steveston, Liquidities) and novelist (Ana Historic, Taken), her most recent poetry title, Reading Sveva (2016, Talonbooks) responds to the work and thought of the Italian-Canadian artist, Sveva Caetani.
the Tuesday poem is curated by rob mclennan
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