two daffodils on the bank beyond
the window, and April
is almost over
I am in the bank account of
fallen leaves, representatives of all
the devalued currency the bank
has created to forestall the collapse
of various
Western economies
the kind of double talk associated with
global warming we octogenarians associate
easily with
our governments, oil & holy writ, and
don’t believe. Still
we’re here like the daffodils, even if
two is not a host, but remains
a reminder that Wordsworth could only speak
for his own
moment in time – as May may say,
nature tries
(April 29, 2013)
D.G. Jones was born in Ontario in 1929. He has won the Governor General’s Award twice (for poetry in 1977 and for translation in 1993). His poetry has also won two QSPELL Awards and the A.J.M. Smith Award. Jones retired from teaching at the Université de Sherbrooke in 1994. He now lives in North Hatley, Quebec. His chapbook, standard pose, appeared with above/ground press in 2002 (reprinted in Ground Rules: the best of the second decade of above/ground press 2003-2013), and The Stream Exposed With All Its Stones: Collected Poems came out with Vehicule Press in 2009.
the Tuesday poem is curated by rob mclennan
Tuesday, February 25, 2014
Tuesday, February 18, 2014
Tuesday poem #46 : Lea Graham : Note to mclennan from 110 Mill Street Five & Half Years Later
It’s time for the Mill
Stream eels'
return to the Sargasso
Sea.
I pen numbers off
Poughkeepsie walls
to my left thigh, keep walking
these wan landscapes
where kill names
most water.
A wedding dress awaits
burning in the utility closet.
Ottawa pulses across
this Hudson & you there
bend to dandelions, blowing
through Chinatown.
Lea Graham is the author of the poetry book, Hough & Helix & Where & Here & You, You, You (No Tell Books, 2011) and of the chapbook, Calendar Girls (above ground Press, 2006). Her poems, essays, translations and reviews have been published or are forthcoming in journals such as Notre Dame Review, Delirious Hem, Southern Humanities Review and Fifth Wednesday. She is a contributing editor for Atticus Review and works as an Associate Professor of English at Marist College in Poughkeepsie, New York where she teaches poetry and travel writing among other exciting subjects. Lea Graham was born in Memphis, Tennessee and grew up in Northwest Arkansas.
the Tuesday poem is curated by rob mclennan
Tuesday, February 11, 2014
Tuesday poem #45 : Brecken Hancock : LAKE EFFECT
Snow blinds
the deer hearse.
Snow
needles the blood purse.
Snow
porridge in the hobo’s bowl.
Snow angels
spread for ripper’s toll.
Dormers
dripping toilet paper.
Castles of
albino crows.
Amniotic
impersonator.
Vomit
stipples Mommy’s clothes.
Come snow,
come sleep,
Bleach our
red curtains
To
surrender. O molester,
Put the
animals to bed.
Bed the
trees;
Rid us of
forecast.
Calm the
alabaster
Masts of
dream.
Come dream,
snow,
Bear in the
cavern,
Rat in the
cistern.
Every
little chit in its hole.
Make us
kid-glove clean again,
Intestines
fresh from the fast.
Lay out
your skin to swaddle our feet,
Snow
Madonnas maquillaged in ash.
Brecken Hancock’s poetry, essays, interviews, and reviews have appeared in Riddle Fence, Event, CV2, Grain, and Studies in Canadian Literature. She is Reviews Editor for Arc Poetry Magazine and Interviews Editor for Canadian Women in the Literary Arts.The Art of Plumbing, her most recent chapbook, is out with above/ground press and her first full-length manuscript of poems, Broom Broom, is forthcoming with Coach House Books. She lives and walks dogs in Ottawa.
the Tuesday poem is curated by rob mclennan
Tuesday, February 04, 2014
Tuesday poem #44 : Marthe Reed : article of faith
Marthe Reed is the author of three books: (em)bodied bliss (Moria Books 2013), Gaze (Black Radish Books 2010) and Tender Box, A Wunderkammer (Lavender Ink 2007). A fourth book, Pleth, a collaboration with j hastain, will appear September 2013 from Unlikely Books; a fifth will be published by Lavender Ink (2014). She has also published four chapbooks as part of the Dusie Kollektiv; a fifth is published by above / ground press. Her poetry has appeared in New American Writing, Golden Handcuffs Review, New Orleans Review, HOW2, MiPOesias, Fairy Tale Review, Exquisite Corpse, BlazeVOX, and The Offending Adam, among others. An essay on Claudia Rankine’s The Provenance of Beauty: A South Bronx Travelogue appears in American Letters and Commentary. She is Co-Publisher of Black Radish Books.
the Tuesday poem is curated by rob mclennan
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