at the lit wood stove,
I think of an elegant poet collected
in one of the O Books anthologies
his cabin in the mountains, the play of
mosquitos
remember to research the earthships
Cid has duck terrine and babkas!
believe all the Subarus
our cabin plumes, the farmer in his hot
tub
near the frozen creek,
a woman slipped
her tour group exclaimed
several loud sightings
a fire for the painter, silver
smith, seller of blue
corn fry bread
plank bridges, hay for a dog bed
acequia irrigated by orphaned brothers
broken into sweats, sinews
acreage stilled
all the artists humor before the wars
a few degrees down
the round valley, few in plena
robust with pats of butter
a milagro leg, amazonite, slipknots
striated white smoke,
alpine glow? no, alpenglow
my wood fire readied for going out
whole kindling in innocent positions
8 January 2020
Title from Alan Davies
Kimberly Alidio is the author of why letter ellipses (selva oscura), : once teeth bones coral : (Belladonna*), a cell of falls (Portable Press at Yo-Yo Labs), after projects the resound (Black Radish), and solitude being alien (dancing girl press). Her prose on poetics, memory, historiography, and postcolonialism has appeared or will appear in Harriet, Woodland Pattern Blog, Poetry Northwest, Social Text, American Quarterly, and the essay collection, Filipino Studies: Palimpsests of Nation and Diaspora.
the Tuesday poem is curated by rob mclennan
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