I
To
travel the world inside your own dumbass skull
And
not disturb a single neuron in it
As
last looks go you could do worse
Than
a tower of flame
II
The
sky is mouldy peach.
I am drawn to this evil pier...
Lignified
steps
Wet
with stinking dulse
You
have your instructions.
Meet
me at the gate where air meets water
Self-destruct
after reading
Break
only hearts take only photographs
III
Men
are beasts! always
Pissing
on the seat always
Shouting
always slackjawed always
Stuffing
their cocks
In
your mouth
IV
I see the girls walk by dressed in their summer colds.
V
Lightning
strikes the greenhouse
Again and again I experience
Sensation
x
And x engenders pain in the world
Therefore I engender pain:
A bolt from the blues
VI
Magic
is happening here
My
good bitch
He
follows me up to the ersatz waterfall
Ass
testing the seams of his twill pants
I
want so badly for our bodies to communicate
A
spirit tricks me into the eastern grotto
In
the kitchen hot milk
Hits
boiled ginger juice
Curdles
into skin
A
barrier that air cannot traverse
IX
One
perfect white specimen left on a bush
Of
rotting roses
A
beetle hidden in it
The
heart of the tourist is empty
X
Crackle
of fish skin
It is time to throw another thing on the fire
A
man vomits into a dumpster
Wipes
his mouth
Cheers
The
dumpster cheers too!
XI
The rose garden is a misnomer.
XII
Still
pool
Surrounding
a rose garden of your own
Carefully
manicured
Hybridized
Reflection
Repose
Branding
Solitude
Delusion
Ad
nauseam
XIII
Hot ginger milk
Curdling
on my face
Jake Byrne is a queer writer. His poem “Parallel Volumes” won CV2’s Young Buck Poetry Prize for 2019. His work has appeared in Bat City Review, PRISM international, Lambda Literary’s Poetry Spotlight, The Puritan, and The Fiddlehead, among others. His first chapbook, The Tide, was published by Rahila’s Ghost Press in 2017. He is a settler based in Tkaronto, on the traditional meeting places of the nations of the Huron-Wendat, the Seneca, the Haudenosaunee, and the Missisaugas of the Credit River.
the Tuesday poem is curated by rob mclennan
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