Sitting on a park bench is a form of publishing
rather than an endless set of bills resembling human
emotions as like a totally real event in character,
in tangible vials of Significance and maybe, maybe
the public sphere imagines like Humanishment
nourishing out emoticons, our knees in space
tumult a body’s unmistakeable exchange
for noises from without, Authentic Circles
wheeling circumambient claps ping
on the ears a Rain of Angels,
sand cake Opposition Figures
crossed by little bodies squiggling
on your eyes tra la! real things
to give our cogito
Lisa Samuels has published nine books, most recently Wild Dialectics (Shearsman 2012) and Anti M (Chax 2013), as well as soundwork, chapbooks, and critical essays and editing work. Since 2006 she has taught literature, theory, and creative writing at The University of Auckland in Aotearoa / New Zealand. Recent video work is at the November issue of The Volta [<http://www.thevolta.org/>]; also in November cellist Noemi Boutin [<http://www.noemiboutin.com/>] will perform a “singing cello” adaptation of poetry from Wild Dialectics, translated and set to music by French composer Frédéric Pattar [<http://brahms.ircam.fr/frederic-pattar >].
Electronic Poetry Center: epc.buffalo.edu/authors/samuels
Pennsound: writing.upenn.edu/pennsound/x/Samuels.php
Academia.edu: auckland.academia.edu/LisaSamuels
the Tuesday poem is curated by rob mclennan
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