With asura hath
woman a hoarder of giddy tomes
breached locs.
cut mouthy and ill-fitting
where dizzy
sign’s makeover re-phrased
with asura
hath woman a
tainted parody of her arched will
harpies,
floosies
where origin
receiveth massage
and the shallow
is intrajected by phissin’,
with asura
seeth woman’s
vagabond zigzag, her errs and kinky lines
écriture is made
to injure and to live in
and it is made to
be salient with slurry quixotics
with asura, slink
against the naughty denouement,
is thy cred ever
more than stalwart gags
is thy misreading
daring as precipice,
with mounting
treats, strong flavours
with asura the
lines grow thick
with asura is
curled re-creations
where woman can
mine, re-sited for indwelling.
Sewn scattered,
coated with
fever ripped by
her ludic moor
WITH ASURA
A wooly complex
of meerkats
heaped bling, the
domain of asura
Asura is an
amorous terain, asura
A bonny kneading
of the monad’s flan
and steeped with
the spinner’s cunning. Perky borrowings
gamed by asura
Ducky kudos gamed
by asura
A Pappardelle
fracas of swanny bells; by asura
And salsa columns
tainted
Gamed by asura,
gelled relics, alcoves; came ambrosial phonemes,
Came the kitch of
recast stains signs: altered phrases
By asura
sauntering trophy memes
By asura, scented
hilarity,
Asura wresteth
the va-jazzled
It wresteth the
rift and the riffing grafts and
It gnaweth the
thread of all that blooms
It burneth to
weave bold patterns;
A sewer of hottie
contours by asura; crammed with moist avoidance, embroiled
Memory fingering
Asemia
Asura sleuths,
shouldered by whim
And chafes like
hungry masks, recruiting
It hath brought
pulsing to breed, rife
battling the languerous
grid and the bridled gloom
COUNTER RANT: TWIRLY
wrought with horstext for Elusive
Courses a re-set
banquet
all beset with asura.
Adeena Karasick is a poet, cultural theorist, media artist and the critically acclaimed author of seven books of poetry and poetic theory. She is currently Professor of Pop Culture and Media Theory at Fordham University in New York. Writing at the intersection of Conceptualism and neo-Fluxus performatics, her urban, Jewish feminist mashups have been described as “electricity in language” (Nicole Brossard) and noted for its “cross-fertilization of punning and knowing, theatre and theory” (Charles Bernstein) "a twined virtuosity of mind and ear which leaves the reader deliciously lost in Karasick's signature “syllabic labyrinth” (Craig Dworkin).
the Tuesday poem is curated by rob mclennan
I have no idea what this poem means, I am not up on my Buddha. Guess that's not important for a work of a "critically (extremely fragile?) acclaimed author"
ReplyDeleteThat's not true there was no comment. At least say there was one comment that was rejected and on what grounds.
ReplyDelete