Tuesday, October 28, 2025

Tuesday poem #656 : Eva Haas : After you I walk through the desert, pretend I’m a pilgrim

 

 

I am a woman in the same way
a skull in the desert remains a deer. You can hear
echoes of the sky in me. I spend
many nights drinking from cacti, contemplating disaster.
I try not to remember your hips in my lap
like milk in a spoon. 

One day I become sane again – or something
just like it – and come to a crack in the earth, see your face
on a billboard for skin smoothing cream. I can barely feel
my cratered cheeks. I thought after the end
there should be nothing left, not even
a delirious advertisement. But the sky still flickers
with purple thunder, plays reruns
of the charm on your neck. 

 

 

 

 

 

Eva Haas is a queer artist and poet originally from Ktaqmkuk (St. John's, Newfoundland). She has recently completed a BA in Writing at the University of Victoria and her term as Victoria's eleventh Youth Poet Laureate. Her work has been a finalist for competitions at CBC, Room and Frontier, and can be found in The Malahat Review and Riddle Fence.

the Tuesday poem is curated by rob mclennan

Tuesday, October 21, 2025

Tuesday poem #655 : Brendan H. O’Connor : CONFESSIONAL POEM #5

 

 

only circumambulate

only clockwise

a rainbow road

pollen smeared

two crystal pillars 

unabated savagery

mundane reparations 

& a false tendency

have a word 

with the ferryman

implausible tradewinds

sulfuric droplets

just an average divorce

among the Ainu

why’s Mac Wiseman

here of all places

born to an ice giant

renounce resentment

a fox corpse trying

to be a fox again

yes it means I’m sorry 

emergent properties

a phase transition

holding our carbon

in escrow

 

 

 

Brendan H. O’Connor is a linguist, anthropologist, and poet. Originally from upstate New York, he lives in Phoenix, Arizona. New poems are forthcoming in Cactus Wren Review. Older work appeared in 32 Poems, Colorado Review, DIAGRAM, and Mudfish. He is a former Lannan Poetry Fellow at Georgetown University.

the Tuesday poem is curated by rob mclennan


 

Tuesday, October 14, 2025

Tuesday poem #654 : Nicole Mae : Your Skin is Where

 

 

I wrote my name on your back fifty-seven times

in cursive
          with a ballpoint pen. 

Soft, speckled boy,

your skin
          is where I come back to myself.

 

 

 

 

Nicole Mae is an interdisciplinary artist. Their poetry, films, and artworks reflect themes of nostalgia, longing, Prairie queerness, Hungarian diaspora, ill body, shame, and romantic love. Mae teaches poetry, hosts creative writing workshops, and runs a multimedia art subscription called Love Letters. A finalist for the 2025 Bronwen Wallace Awards, Mae lives in Treaty Four, otherwise known as Southern Saskatchewan.

the Tuesday poem is curated by rob mclennan

 

 

 

Tuesday, October 07, 2025

Tuesday poem #653 : Chris Johnson : screaming kids

after John Thompson’s “IX” from Stilt Jack

 

Milton Acorn. Earle Birney. Louis Dudek. Irving Layton. Al Purdy.
Too many men have been published too much.

The terms have thwarted any attempt to plough language:
eventually digits greater than eight may reveal themselves.

Find it in pages dogeared; Creator wrote
the destination; I stumbled upon it.

Someone has bastardized the best lines,
and I have taken all the credit:

We’ll cram in some Bowering and question the forecast,
pull on vapes, binge a true crime docuseries.

Large rocks, mitts cracked and dry, the tool
oblique appropriately. The dam of bulwarks stand.

You could say I’m checked out, already horizontal:
does a heavenly choir sound like kids screaming in a city park?

Occasionally I consider the legends brawl just for our attention:
I’m letting the autoplay cue up another episode.

Surely there’s a solution: I’m anxious,
observing the sands.

 

 

 

Chris Johnson (he/him) [photo credit: Curtis Perry] currently lives on unceded, unsurrendered territory of the Anishinaabe Algonquin Nation. His latest chapbook is 320 lines of poetry (counting blank lines) (Anstruther Press, 2023).

the Tuesday poem is curated by rob mclennan