for
David Swann
Play a game of disco
chess in an overgrown allotment. Send a postcard to a fremeny from a moonstruck
nest. Dive into a drowned library wearing nothing but lyrical flippers. Gently
wash a hand-unknitted sweater. Mix an orchestral cocktail after a bust up in a
holy karaoke parlour. Foster the love child of Ulysses and a silk jacket
pocket. Don’t forget to break an open window before you go.
Naomi Foyle was born in London, England, and grew up in Hong Kong, Liverpool and
Saskatchewan. She spent the late nineties working in South Korea and travelling
in Central America, Asia and Australia, and now lives in Brighton UK, a
pebble’s throw from the sea.
Naomi
is the author of five novels, ten poetry pamphlets and three full collections:
The Night Pavilion, a 2008 Poetry Society Recommendation and The World Cup
(2010) both from Waterloo Press; and the transatlantic publication Adamantine
(Red Hen/Pighog Press, 2019). Her tenth
pamphlet, Importents, was published by Waterloo Press in 2021. Her poetry
readings include appearances at The Cuisle Festival in Limerick, Tacheles Art
House in Berlin and the Babylon Festival for International Cultures and Arts in
Babil, Iraq. Originally trained in theatre, she has collaborated with artists,
musicians and filmmakers on projects including the prize-winning videopoem Good
Definition (2004) and several spoken word CDs.
Librettist of the award-winning bouffon opera Hush (Theatre Passe
Muraille, Toronto 1990), she has also written a short verse drama, ‘The Strange
Wife’, produced by the Bush Theatre in 2011 as part of 66 Books: 21st C Writers Speak to the King James Bible, and ASTRA, a Brighton Fringe Award-winning adaptation of her eco-science fiction quartet The Gaia Chronicles.
the
Tuesday poem is curated by rob mclennan