Tuesday, May 30, 2017
Tuesday poem #217 : Jennifer Stella : dehiscence
The thing is, you grew up
anyway. Whatever lost you can’t
remember having had. Also,
you can’t sleep.
Also, you might never sleep
again. You’re still afraid
of ---. There is a blanket.
There is a bear. You are
quite seven. A shadow behind
wide-eyed reflection. Not ready
to look. Not ready to
ever. Behind your
eyes drape a sheet
over the mirror. Quick. Careful.
An older hand will remove
it. Or
Jennifer Stella is a writer and a doctor. During medical school in San Francisco, she pursued an MFA in poetry at Brooklyn College. Also a Returned Peace Corps Volunteer from Cameroon, her poetry and prose have appeared in Eleven Eleven, The Drunken Boat, The Brooklyn Review, The Intima, and others. Her first chapbook, Your Lapidarium Feels Wrought, was published in March 2016 (Ugly Duckling Presse). She is currently working as a primary care physician and HIV specialist at Rikers Island jail in New York City.
the Tuesday poem is curated by rob mclennan
Tuesday, May 23, 2017
Tuesday poem #216 : Gerry Shikatani : HIKONE (Shiga Prefecture)
April 11
Just then a thousand lights
white, pink-tinged and small.
Heart turned, bowels churned
at footstep. In the lake waters too
snowtuft blossoms luminous.
April night, bright
ramen shops others,
metal-shuttered
to dark, streets
and street-crossings held these eyes
Hikone.
______________________________________________
ramen, Japanese adaptation of
Chinese-style noodle soup
*
castle’s mirror
sakura sea Lake
Biwa
father’s young wide eyes
stare out at the Pacific.
*
Leafs’ Opening Day - ballgame
Pop waited at our school’s door,
both Al and I hurrying
down the halls.
*
Last night bright
grilled Omi-gyu --
now, Pop’s hashi
over hot frying pan
frozen decades ago.
….
sliced paper-thin
Pop’s Friday night beef
sukiyaki, yakiniku
electric frying pan our sizzling teppan
my eyes nothing now
but his ashes.
_______________________________________________
Sakura:cherry
blossom(s)
Omi-gyu, breed of beef cattle from Omi
(Shiga Prefecture)
hashi, chopsticks
yakiniku, iron-griddled beef
teppan, iron griddle
*
skiff moored still to shore
as if a boatman
never returns.
On My Late Father’s Birthday
MacDo yet again, Birthday-boy
with this bossa nova Quiet Nights
and Quiet Stars, heart
in this Hikone-shi,
coffee
to pack the punch B-boy on
your B-day. What did he call it..
Hinatsu-san, bon-san…?
That jazz - soothes here
as over the eki the low
ridges,
forests of conifers are veiled
melancholic oyster gray,
pure light hinting at base. Sundays
B-boy used to make all the summer
evening smell fine with perk coffee
to fill
the thermos for your lunch and
maybe Stan’s Amphora tobacco-filled
pipe
on the porch. MacDo’s and now Imagination
on the porch. MacDo’s and now Imagination
tunes Japan a cool hit. Cool those
mornings, less the hot sticky
evenings
on Ross Street, downtown T.O., must have
been too
for dear ol’ Dad, near the end of
night shifts
sweeping, polishing, The Mercury
All-Night
Restaurant’s fine woody, earthy brew
poured from those tall stainless urns
still gleam, the suited prim
salarymen of T.O.
banks, The Permanent, ready to
walk those floors
he swept clean.
Hikone-shi:
Hikone- (suffix identifying it as city, i.e. Hikone City)
Hinatsu-san, (O)bon-san: Mr. Hinatsu-(a term of respect) , nourable priest
eki, train station
Stan:
eldest brother of the poet
The Permanent: trust company
*
It is Sunday afternoon in Hikone.
Around the trail to calm, return
Sunday, through scatterd rain:
cool, soft leisure of strollers
they, hearts are light. In this
exact centre, sakura now
blossomed
draping out, to hear pounding
dance beat amplified, getting louder
from approach. Such silence that
stirs
hip Hikone kids, arms flailing
the atchi-kochi dance,
exact heart.
It is Sunday afternoon.
atchi-kochi, here-there
Gerry Shikatani is founder and director of Lorca’s Granada: writers’ retreat, colloquia and workshops set in the Andalusian city that was home to the great poet and dramatist Federico GarcĂa Lorca. Since the early 1970’s Shikatani’s oeuvre has included poetry, visual and sound composition/performance, short fiction, editing, and film collaborations. His books include the 412 page collection Aqueduct (1996), mortar rake glove sausan broom basin sansui (First Book, Three Gardens of Andalucia), and with co-editor David Aylward, Shoji – Paper Doors, an anthology of Japanese-Canadian poetry (in English and Japanese, 1981). As an international culinary critic and food/travel writer, he is an authority on Spanish gastronomy and recipient of Spain’s Officer’s Cross in the Order of Civilian Merit, granted by King Juan Carlos. He is based in Ontario and Spain. www.gerryshikatani.com
This poem is taken from mortar rake glove sausan broom basin sansui (Second Book, niwa) still in progress.
the Tuesday poem is curated by rob mclennan
Tuesday, May 16, 2017
Tuesday poem #215 : Jacqueline Valencia : Skin is the livery of the Goddess
Jim stood full
of emotions
in the lushness
of Magwood Park
reaching out to
the skies.
Becalmed, he
looked down at the
dandelions, the
ragweed
blooming up,
choking roots, taking over his space.
Emptiness
unendurable
taking up
despair as communicable melancholia
desultory
substratum ruminative chlorophyll.
Jim decamped as
clouds passed
darkening a
view with the undertow of wind
enlivening
movements he could not make on his own.
Spying on the woman
he once knew carnally
across the
street, drapes open, anchoring her anxiety
in a dance, a
liberty he was circumscribed to stomach.
Rapid zipping
up electric blue sphere
cast the Circle
with sword and athame
speeding up
karma solipsism to keep afloat.
He was a green
ash, once a man,
now squirrels
sex up, engorging themselves
with nuts in
his trunk, a better home than procreator.
She, the woman
called Babylon in the windows
wore a crown of
life affirmation beyond abuse
matriarchal
underworld form agency due with the flick of her wand.
Weeds, garbage
greenery, critters all over the arms
reaching up
decorating a powerless Jim by living
filling him up
with insidious festering numbness.
The sun
conjoined Craft and root
moon feminine justice,
a truth chaos
sets daily on
the corner of Marks Road and Varsity.
Jacqueline Valencia is a Toronto-based writer. She is a senior literary editor at The Rusty Toque. Her debut collection There Is No Escape Out Of Time is out with Insomniac Press.
the Tuesday poem is curated by rob mclennan
Tuesday, May 09, 2017
Tuesday poem #214 : Zach Savich : Prose
I arrive in
wind and a street fair
Wind chimes
40% off
40% of a
wind chime is the sound
One tires of
the beyond
*
Now bend or
extend the burnt part
Odysseus
ties himself to the mast and vamps
Fish are
ripples, which research accounts for
Children are
windowsills
Some statues
require willows
Bird’s eye
view: a term for meeting a sparrow’s gaze
*
I wanted to
bring you berries but also to appear with nothing but my white shirt
I take the
earliest bus and pretend to read
Flood slow
enough, who can say how much is lost to steam
Years later
the emperor returned the borrowed bicycle
Time healed
me of prose
*
Duration is
good
I stand in
my white shirt with my jacket gone
If I should
live so long
With my
white shirt gone
To stand
with the buttons in my hand
Bouquets
just from brushing through
*
The tone is
bereft
Steam rose
into a good museum and the first horses
The first
movement moves past, careless for return
Children
rolling hills, tossing dust from a field
Say as far
as the world goes, it’s Saturday
Is someone
telling the story
Of causes
Here’s a
church so pretty, you shouldn’t mind just walking by
Zach Savich [photo credit: Lisa Wells] was born in Michigan in 1982 and grew up in Olympia, Washington. He received degrees from the Universities of Washington, Iowa, and Massachusetts. His work has received the Iowa Poetry Prize, the Colorado Prize for Poetry, the Cleveland State University Poetry Center's Open Award, and other honors. His fifth collection of poetry, The Orchard Green and Every Color, was published by Omnidawn in 2016. He is also the author of Diving Makes the Water Deep, a memoir about cancer, teaching, and poetic friendship. He teaches in the BFA Program for Creative Writing at the University of the Arts, in Philadelphia, and co-edits Rescue Press's Open Prose Series.
the Tuesday poem is curated by rob mclennan